论文总字数：19434字

摘 要

苏轼黄州时期所撰尺牍内容宏富，能够反映出作者的心境与文思，具有独特的审美价值。苏轼写于黄州的尺牍有250篇左右，约占其全部尺牍的六分之一，具有较大的讨论空间。通过细读苏轼黄州时期所撰尺牍，本文探寻他在这一时期的复杂心境与交游情况，并在文体学视野下探讨苏轼黄州时期尺牍的情感内容与创作特征。

本文主要采用三种研究方法。其一，文献研读法。细读文本，通过摘抄、数据统计、内容分类汇编等方式对苏轼黄州时期尺牍进行细致分析。其二，对比研究法。对比苏轼黄州时期的尺牍与其它文体创作，关注不同文体在表达心境与情感方面有何不同特点。其三，文体学方法。从尺牍的文体特征与美感特质出发展开研究，进而总结苏轼黄州时期尺牍的艺术价值。

情感内容方面，苏轼在尺牍中描绘山川风貌，与友人交流阅读与创作近况，畅谈养生之道，他的写作心境与生活意趣体现在其行文中。首先，苏轼在尺牍中描绘居住地周边的自然风景、临皋亭、东坡雪堂等，自然而然述及自身心境，展现了豁达襟怀。其次，苏轼在贬谪状态下不忘阅读写作，常在尺牍中与友人交流诗词，不让自己沉浸在痛苦之中，积极调适心境。再次，苏轼善于养生，他常在尺牍中表达自己对养生的独特见解，亲近自然，调养身心。

创作特色方面，苏轼黄州时期所撰的尺牍行文平易畅达又不乏深意，表达幽默诙谐，文字清旷洒落，具有丰富的文学意蕴。首先，苏轼在黄州创作的大部分作品都保持着平易畅达的风格，没有特别华丽的辞藻堆砌，只有朴实的文字，但文字的背后却不缺深厚的情感与思想内容，达到了自然真淳的境界。其次，苏轼尺牍具有诙谐幽默的艺术特征，他在运笔时经常用一种风趣自嘲的口吻，这使得他的尺牍意趣横生又不乏深意。再次，苏轼黄州时期尺牍具有清旷悠远的意境。在描绘山川风貌与自身心境的尺牍中，苏轼精于炼字，善用修辞，使其尺牍颇富清旷洒落的文学意境。

苏轼黄州时期尺牍所展现的情感内容与艺术风貌，具有独特的审美价值与文学意蕴。本文细致梳理苏轼黄州时期尺牍，探讨其情感内容与创作风格，一定程度上丰富了现有的苏轼尺牍研究。

关键词： 苏轼；黄州；尺牍

Abstract

The letters written by Su Shi in Huangzhou period are rich in content, which can reflect the author's state of mind and thoughts, and have unique aesthetic value. Su Shi wrote about 250 letters in Huangzhou, accounting for about one-sixth of its total, and has a large room for discussion. Through a close reading of the letters written by Sushi in his Huangzhou period, this paper explores his complex state of mind and social intercourse in this period, and discusses the emotional content and creative characteristics of the letters in his Huangzhou period from the perspective of stylistics.

This paper mainly adopts three research methods. First, This paper adopts the method of literature study. Read the text carefully and make a detailed analysis of Su Shi's rulers in Huangzhou period through excerpts, data statistics, and content classification compilation. Second, This paper adopts the method of comparative study. By comparing the writings of Su Shi in Huangzhou period with other literary works, we pay attention to the different characteristics of different literary works in expressing mood and emotion. Third, This paper adopts the method of stylistic methods. Based on the stylistic characteristics and aesthetic characteristics of the scrip, this paper studies the artistic value of the scrip in The Period of Su Shi huangzhou.

In terms of emotional content, Su Shi described the scenery of mountains and rivers in his writings, communicated with his friends about the current situation of reading and creation, and talked freely about the way to nourish his life. His writing state and life interest were reflected in his writings. First of all, Su Shi described the natural scenery around his residence, Lin Gao Pavilion and Dongpo Xue Tang in his writings, which naturally reflected his own state of mind and showed his open-mindedness. Secondly, in the state of relegation, Su Shi did not forget to read and write, and often communicated poetry with friends in his writings, instead of immersing himself in pain, he actively adjusted his mood. Thirdly, Su Shi was good at health preservation. He often expressed his unique views on health preservation in his writings, close to nature, recuperating body and mind.

In terms of the characteristics of his writings, the writings written by Su Shi in Huangzhou period were plain and smooth, with profound meaning, humorous expression, clear and free writing, and rich literary implication. First of all, most of his works in Huangzhou are plain and smooth. There is no particularly ornate rhetoric, only plain words. But behind the words, there is no lack of profound emotion and ideological content, reaching the realm of true and pure nature. Secondly, Su Shi's writing is characterized by humor. He often uses a humorous and self-deprecating tone when writing, which makes his writing both interesting and profound. Thirdly, the letters written by Su Shi in Huangzhou period have a clear and distant artistic conception. In describing the landscape and his own state of mind, Su Shi was good at writing and good at rhetoric, which made his writing quite clear and free of artistic conception.

Su Shi's emotional content and artistic style in the Huangzhou period have unique aesthetic value and literary meaning. This article carefully sorts out Su Shi's rulers in Huangzhou period, discusses their emotional content and creative style, and to a certain extent enriches the existing Su Shi ruler studies.

Key words: Su Shi; Huangzhou; Letters

目录

摘要 I

Abstract III

第一章 绪论 1

1.1文献综述 1

1.2研究方法 3

第二章 苏轼黄州时期尺牍概况 4

2.1尺牍中的贬谪心境 4

2.2尺牍中的交游情况 6

第三章 苏轼黄州时期尺牍的情感内容 8

3.1山川风貌 8

3.2阅读创作 9

3.3养生之道 10

第四章 苏轼黄州时期尺牍的创作风格 12

4.1平易畅达 12

4.2幽默风趣 13

4.3清旷悠远 14

第五章 结语 16

参考文献 17

致谢 19

第一章 绪论

苏轼是北宋时期的文坛领袖，在诗、文、词、书、画等方面皆有着极高造诣。苏轼的文学作品在被贬黄州时到达一个新境界，黄州时期亦是学者研究苏轼时所关注的一个重要时段。就尺牍而言，由《苏轼文集》可知，苏轼尺牍现存1500多篇，占其全部散文的五分之一，其中，写于黄州的尺牍有250篇左右，约占其全部尺牍的六分之一。尺牍又名尺素、尺书、尺简等，因早期的书信多写在一尺长的木板、竹简上而得名，是古时一种常见的应用文体。尺牍在宋代发展到巅峰，兼具实用性与审美性，并具有私人性质。宋人尺牍中，苏轼的尺牍创作堪为代表，具有很高的文学价值。

1.1文献综述

苏轼黄州时期尺牍在内容与文学价值上有其独特性。元丰二年（1079），苏轼因乌台诗案被贬黄州。在黄州的四年间，他的心境、生活、文思、交游等皆体现在其尺牍中，有较为丰富的研究空间。目前，关于苏轼黄州时期尺牍的专门研究不多，但在海内外苏轼尺牍专门研究、苏轼文学整体研究、宋代尺牍研究三类论著中，可总览苏轼黄州时期尺牍的研究成果。

请支付后下载全文，论文总字数：19434字