Pirates of the Caribbean is a good entertainmentwork for the audience and high box office return for the producer. At the sametime, it has also attracted the research attention of relevant scholars:

WangKun and Xu Ying analyzed the reasons for the movie’s popularity from theperspectives of pirate culture, magic elements, comedy elements, protagonistcharm and special effects in TheMysterious Voyage of the Supernatural—theSecret Formula of High Box Office Returns of Pirates of the Caribbean(2007).

LiangChangming, Zhang Shuhong and Bian Yuzhu analyzed the mainstream Americanvalues, as well as the consciousness of American cultural hegemony hidden behindthe film in Pirates of the Caribbean andthe Cultural Hegemony (2009).

In Pragmatic Perspective on the GeneratingMechanism of Verbal Humor in Pirates of the Caribbean(2010), Cai Linganalyzed the film dialogue and its practical effects from the perspectives ofspeech act theory, cooperative principle and politeness principle. Chang Le alsostudied the conversational implicature of the dialogue in her thesis An Analysis of Conversational Implicature inthe Dialogues of the Series Film Pirates of Caribbean(2012).

YangFei analyzed the commercial success of the movie from the grand scene setting,star effect and suspense setting in TheCommercial Feast of American Hollywood Movie: Pirates of the Caribbean(2011).

In Interpretation of Magic Realism inPirates of the Caribbean 4(2013), Li Chun revealed the theme through theshell of "magic", so as to explore the realistic nature under thesurface of "magic". In TheArtistic Function of Humor Elements in the Pirates of the Caribbean MovieSeries(2013), Que Lei and You Longpian analyzed the essence of humorelements from the perspective of plot, subject and object of the movie.

ZhouHui explored qualities conveyed in the film from the aspects of ideal andreality, freedom and responsibility in Returnto the Primitive Human Nature of the Pirates of the Caribbean(2014). Guo Linaanalyzed the hero image construction in TheAnalysis of Addition kind of Hero in American Movie Pirates of the Caribbean(2014).

LiuXiaorong interpreted Pirates of theCaribbean from a contemporary perspective in The Realistic Meaning of Pirates of the Caribbean Series(2016). In The Fairy Tale Narration and Image DiscourseAnalysis of Pirates of the Caribbean(2016), Sun Hongyuan analyzed thenarrative structure of Pirates of theCaribbean 4 by using Greimasin model and semantic square model.

SunZongjian’s research on AestheticCharacteristics and Art Design in Pirates of the Caribbean 5 (2017) carriedout aesthetic analysis from the aspects of character composition, backgroundsetting, theme, story interpretation, historical research and multi-level artdesign.

ZhouZhou, Wu Weifeng in Pirates of theCaribbean 5, Creative Features with the Hollywood Film Series(2018)analyzed the creative features of Hollywood movies from the mature and serializedproduction of Hollywood movies, the compromise between individual works andseries works, the compromise between art and business. In Pirates of the Caribbean Series of Apparel Modeling Research(2018),Chen Huan, Qi Zhijia interpreted the costume modeling characteristics ofdifferent types of characters in the movie. In Aesthetic Interpretation of Pirates of the Caribbean 5: Dead Men TellNo Tales(2018), Wang Ying interpreted the aesthetic appeal of film from thelegendary language, the narrative baseline of justice and the humanisticstandpoint of embracing truth.